Louis Faurer, “Accident, New York City,” 1952. Deborah Bell Photographs, New York / © Mark Faurer
Street Seen: The Psychological Gesture in American Photography, 1940–1959
Milwaukee Art Museum, January 30–April 25, 2010
“[The] graphically charged and emotionally engaging photographs evoke the excitement and unease that characterized the era, as popular culture, the arts, and everyday life underwent substantial, dramatic changes. They not only emphasize the candid experience of being an anonymous individual amongst an impersonal, fast-moving crowd but confront the viewer with the material presence of their photographs.”
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