Skip to content

CFP: Performing Places

EASST Conference 2010
2-4 September, 2010
University of Trento, Italy

Performing Places
Convenor: Katharine Willis

“The space of the city is not a static reality defined by built forms or demographic facts, but is instead a form of spatial practice created by the interweaving of everyday actions and interactions of its citizens. These interactions are no longer confined to face-to face contact, as communications media have re-arranged many social environments so that most people now find themselves in contact with others in new ways. Walls, doors, gates and distances still frame and isolate encounters, but new technologies have increasingly encroached on the situations that take place in physically defined settings. This session will look at how thinking about places as performative opens up new possibilities for both understanding and reacting to the potentials for communications technologies in space.

Networked space
The media theorist Castells has popularized the concept of the ‘space of flows’; where space is understood as linking up electronically separate locations in an interactive networks that connects activities and people in distinct geographical contexts. He contrasts this with the traditional concept of the ‘space of places’; which he defines as organizing experiences and activity around the confines of locality. One of the social consequences of such networked space is that that multiple social realities can occur in one place. The same physical space may be caught within the domain of two different social occasions. The social situations that occur in these overlapping behaviour settings support gatherings that possess a special characteristic in that they exist on more than one social level. For example, presence in public space and interaction has traditionally been equated with face-to-face contact. Yet, presence in public space as mediated by new technologies has a different type of aesthetic, no longer dominated by visual access but by informational access. The features and structure of the interaction is enabled by a connection, which is not necessarily achieved through physical movement from one location to another. As such, everyday actions and behaviours no longer belong to particular places, and are now multiplexed and overlaid; there now exists the possibility to switch rapidly from one activity to another while remaining in the same place, so we end up using the same place in many different ways. On one hand this gives rise to confusion, and ambiguous and contested zones emerge, where the multiple and overlapping behaviours created create disparate, fragmented and discontinuous spatial references. On the other hand we can consider space as a field of interaction, composed of intersections of mobile elements it is in a sense actuated by the ensemble of movements deployed within it (de Certeau 1984, 117). In this case space is performed so that, rather than being inhabited as an intransitive bounded entity, it is experienced as a far more fluid event-based space that comes into existence only through the social actions of those present.

Performative space
In this session we will investigate the social effects of communications media on how space is inhabited and acted upon. We will explore the relevance of concepts such as neighbourhood, community and territory in times when cities become essentially transitory social spaces for many of those who experience them. In particular we will focus on the performative nature of space.”

Abstracts of no more than 500 words should be sent by email (following website instructions) by March 15th 2010.

Rooted

Karczeby

Adam PańczukKarczeby (2008-2009)

“In one of the dialects spoken in the east of Poland, which is a mixture of Polish and Belorussian, people strongly attached to the soil they had been cultivating for generations were called ‘Karczeby’. With their bare hands Karczeby cleared forests in order to grow crops. The word karczeb was also used to describe what remains after a tree is cut down — a trunk with roots, which remains stuck in the ground. This also applied to people — it was not easy for the authorities to root them out from their land, even in the Stalinism times. The price they paid for their attachment to their soil was often their freedom or life. After death, buried nearby their farmland, a karczeb himself became the soil, later cultivated by his descendants.”

Karczeby 2

via

Animated parkour

Parkour Motion Reel by saggyarmpit

via

Portable cities

Guan

YIN XIUZHEN
Portable City: Jia Yu Guan, 2009
Courtesy Beijing Commune

“While Beijing has been the focus of inspiration for much of Yin Xiuzhen’s work, documenting the process of deconstruction and reconstruction, Yin has since installed her work worldwide, examining cultural changes in different locales. Investigating the repercussions of globalization, with the massive changes brought about by mass transportation and communication, where physical distances have decreased by massive leaps and bounds—she examines how the cultural fabric that identifies individual cultures are either reinforced or broken down by change. In addition to examining the effects of globalization, Yin also draws heavily from her personal experiences. In her work, Portable Cities, Yin recreates her personal images/memories of a city, and experiences of ‘living out of a suitcase’, into miniaturized cities.”

Portable City Melbourne

YIN XIUZHEN
Portable City: Melbourne, 2009
Courtesy Beijing Commune

“Taking found fabric and clothing from the city in question (i.e. Vancouver, Berlin etc.), Yin sews together little buildings, bridges, and greenscapes inside suitcases, manufacturing transportable cities. With landmark buildings recreated on a miniaturized scale in the likes of gingham cloth, corduroy, and cotton, and recorded soundscapes of the city in question, the pieces are at once humorous, nostalgic and poignant. With their hand-crafted appeal and use of old clothing, they infuse the anonymity of city-living with the personal. While globalization and the increased openness of China has allowed the possibility for more people like Yin to travel and visit all the cities within her suitcases, ironically it has also meant that the cities themselves have incurred a certain proclivity to becoming increasingly indistinguishable. Confronting the notions of increased homogenization of cultures and environments, versus the conflicting stratifications of wealth distribution and access to commodities and exchange, Yin’s work brings about questions concerning the desire for rapid modernization and globalization.”

Shenzhen

YIN XIUZHEN
Portable City: Shenzhen, 2008
Courtesy Beijing Commune

via

Wellington, coffee city

cafe tea towel

A Coffee Guide to Wellington

“This tea towel, probably from the mid-1960s provides a coffee guide to Wellington, complete with descriptions of the type of food served in each café.”

Wellington café culture + media gallery

“Wellington’s café culture is today an integral part of its identity as a city. This culture began in the 1930s with the arrival of the milk bar, followed closely by coffee houses in the 1950s. After a period of decline in the 1960s and 70s, the city’s café scene has grown in spectacular fashion over the last 20 years…”

midnight espresso

Cafés and civic life have long interested scholars of space and culture, and Wellington is considered one of the best cities in the world for drinking coffee. Midnight Espresso, located stumbling distance from my office,  is where I most often procure the flat whites (and cheese scones) that sustain my work. But after seeing this strangely fascinating coffee log, I’ve been careful to make sure most of that money goes to our holiday fund instead.